Tari
Karl Bryullov wani mai fasaha ne mai ƙima wanda sunansa ya zama abin zama tare da kwatance na alamomi da late Risanticism na zane. Takardar, noma a cikin Bryullov tun yana yara, ya ba duniya irin wannan aiki a matsayin "hawsiman", "Mutuwa", "Virsha", "HorseMava", "Gadget Svetlana". Hotonsa "rana ta ƙarshe Pompeii" har yanzu tana sha'awar ainihin connoisseurs na gaskiya na fasaha na duniya.Yaro da matasa
An haifi mai zane na gaba a ranar 23 ga Disamba, 1799 a St. Petersburg. Iyalin harsashi ya kasance saba da: Karl Grew ya mamaye 'yan'uwa uku da mata biyu. Mahaifin iyali yana da dandano mai ban sha'awa: ya shiga wani kayan zane-zane, a yanka a kan wani ƙaramin abu, a yanke ƙauna a Kwalejin Arts. Ba abin mamaki bane cewa yara sun yi sha'awar kerawa da kuma jin kyawawan halaye.
Karl yaro mai raɗaɗi kuma yana da lokaci mai yawa da aka ciyar a gado. Koyaya, duk da wannan, da ƙwazo da gangan a cikin subtlean da ƙwarewar zanen dabarun zane, yana sanya Ubansa. Ya kuma ba da izinin kowane mai aure har ma da wani lokacin hana dan karin kumallo don karancin ɗorewa.
Irin wannan wahalar horo, ya yawaita ta hanyar kyauta na birni, kuma tuni a cikin makarantar artesterburg da ingantacciyar shirye-shirye da kuma baiwa mara ƙarfi.
Babban muhimmin aiki na mai zane shine zanen "narcissa, duba cikin ruwa". A cikin wannan aikin, Karl Bryutlov ya doke myth na saurayin mai suna Narikisus, wanda ya fi son kyakkyawa. A cikin 1819, hoton ya kawo mai zane na farko - lambar zinare na makarantar kimiyya na Arts. Wannan lokacin ana ɗauka shine farkon mummunan tarihin rayuwar Karl Bryullov.
Zane
A cikin 1821st Karl pavlovich ya kammala karatunsa daga wani matattarar - hoton "Phenenon Ibrahim uwan Ibrahim Uak Uakna uku". A wannan karon makarantar arts ta zama mafi kyawu ga matasa zane-zane, da ke lura da sabon tsarin lambobin zinare, da 'yancin tafiya zuwa Italiya don saduwa da hadisin zane. Koyaya, yanayi sun yi yanzu cewa saurayin zai iya zuwa ƙasashen waje - a 1822.
A Italiya, Carl Bryullov ya zo tare da ɗan'uwansa Alexander. A can, matasa na yi nazarin aikin Masters na Renaissance, da farko aikin masu fasaha na Turai. Musamman ma a cikin rai, Carlo Bhorkelo ya zo na gyara zanen. A karkashin ra'ayi game da wannan shugabanci, saurayi ya rubuta sanannun zane-zane "Italiyanci Morn" da "Italiyanci Noon". Dole ne a cikin shimfidar gado daga rayuwar mutane da mutane suka juya baya da kuma cike da ji.
Hakanan, "zamanin Italiyanci" a cikin ayyukan Bryullov da yawa na hotuna da yawa: "Horsian na Yulia Samoiltova tare da Arypchonkom, wannan mahimmin na Musvey Vilygorki - Duk waɗannan halittun suna wannan lokacin. Jerin wasu hotuna sun ci gaba kuma daga baya, a kan dawowar Karl Pavlovich a cikin 'yan Petersburg.
Bayan 'yan shekaru daga baya, Karl Bryullov ya sake komawa Italiyy mai' yanci a sake, inda ya yi nazarin rushewar tsoffin biranen daki-daki - Herculandum da Pompeii mafi ƙarfi. Majesty Pompeii, wanda ya mutu saboda abubuwan, ya burge ta da shekaru masu shekaru Karl bryullov sun yi wa binciken tarihin Pompeii da kayan tarihi. Sakamakon aikin mai zafi shine zane, sunan "rana ta ƙarshe pompeii" kuma ya zama, a cewar masana tarihi, saman masana tarihi, saman abubuwan tarihin Jagora.
A cikin 1833, da dama na zane-zane da zane-zane, har da shekaru 6 na aiki tuƙuru, Karl Bryullov ya gabatar "Pompeii na ƙarshe" zuwa kotun masoya art. Labarin game da wannan hoton nan take tashi a kusa da dukkanin salon salon da na Artular - masu zane-zane musamman mutane ne su fahimci aikin Bryullov, kuma kawai ya kasance mai farin ciki.
Karl Pavlovich da kansa ya kyautu da zinare na masana tarihi na Paris Art Artistic, da kuma membobin girmamawa na makarantun Turai da yawa. Babban aiki mai yawa ya kawar da dukkan ikon maigidan. Bayan kammala karatunsa daga "ranar ƙarshe ta Pompeii", bullov ya fada cikin rikicin kirkire-kirkire, ya fara kuma ya jefa zane a hannunsa.
Bayan yanke shawarar janye hankali, Karl Pavlovich tafi zuwa ga balaguro a Girka da Turkiyya. A decimory canji tafi zuwa ga artist domin amfanin: Nan da nan bayan tafiya, Bryullov rubuta dukan jerin watercolors da kuma zane, mafi shahara daga wanda ya zama "rauni Greek", "Bakhchisarai Fountain", "Turk, wanda shi ne mamaki don da doki "," Turkchanka ".
A 1835th Bromlov, yin biyayya da umurnin sarki, koma zuwa Rasha Empire. Duk da haka, ba nan da nan ci gaba zuwa St. Petersburg, kuma ya zauna a Odessa, sa'an nan a Moscow. Zlatagnaya ya yi karfi ra'ayi a kan artist, m da majesticity kuma a lokaci guda da sauki.
Bayan ya sake St. Petersburg, Karl Brullov, kamar yadda kafin mahaifinsa, ya fara koyar a St. Petersburg Academy of Arts. Daga baya, da style of dalibai na Karl Pavlovich za suna da Bhorlylovsk makaranta. Bullyov kansa ya ci gaba da aiki a kan hotuna, a Bugu da kari, ya halarci a cikin mural na Bitrus Church da kuma Paul, wanda shi ne a Nevsky Prospect.
Rayuwar sirri
Domin fiye da shekara guda, Karl Bryullov ta sirri rai da aka alaka da Countess Yulia Samoilova, wanda ya zama na artist da ƙaunataccen, kuma wani masõyi, goyon baya, kazalika da Muse da kuma fi so na'urar kwaikwayo. Da dangantakar Bryullov da Samoyallova aka akai-akai katse, Julia aka barin for Italiya, inda bisa ga jita-jita, ba ki da kansa a cikin son sha'awa jin daxi. Sa'an nan biyu converged sake.
A 1839, Karl Brullov aure matasa Emilia Tim. A yarinya a lokacin da aka wuya shekaru 19 da haihuwa. Amma bayan wata daya daga bisani, da mata karya up. Karl Pavlovich matar tare da iyayensa ya tafi zuwa ga 'yan qasar Riga, da kuma karya-rabu kasuwanci dade biyu mafi shekaru, har 1841.
Emilia kanta zargi da mijinta, kuma wasu daga cikin artist ta abokai ma ya juya baya daga gare shi, sa a gefe na yarinya. Bisa ga sauran bayanai, a cikin hanyar kisan aure shi ne cin amanar kasa da Emilia, kafa da wani mutum.
Bryullov aka tsanani damu game da rabuwar tare da matarsa, da kuma Julia Samoilova, wanda ya zo St. Petersburg kawai don wani lokaci da ya je St. Petersburg. The artist ta yara ba.
Mutuwa
A 1847, da kiwon lafiya na artist sake sanya kanta ji: rheumatism da rashin lafiya zuciya Karl Pavlovich tsanani da wahala da karfi sanyi, kuma Bryullov na dogon lokaci. Duk da haka, ko da a cikin irin wannan jiha, da maigida zai ba, ba su halicci. A 1848, Bullov kammala a kai-hoto, wanda a wannan ranar ne dauke da wani samfurin na Genre kuma, bisa ga art tarihi, ya ba da hali na artist yawa fiye da yadda photo iya yi.
A shekarar daga baya Karl Pavlovich, a lamirin Likitoci, ya tafi Tsibirin Madeira. Marine yanayin ya kamata ya sauƙaƙe yanayin ɗan zane, yana da rashin alheri, ya yi latti. Lafiya na Bryullov ya kasance a koyaushe a koyaushe, kuma a ranar 23 ga Yuni, 1852, shugaban ya bar rayuwarsa saboda rashin lafiyar, ya mamaye jiki. Bayan mutuwar mai zane, zane-zane da ba a ƙare da zane ba, waɗanda yanzu aka adana su a cikin tarin abubuwa da gidajen tarihi na duniya.
Aiki
- 1823 - "Italiyanci Morning"
- 1827 - "Italiyanci tsakar"
- 1827 - "Ranar kwanan wata"
- 1830-1833 - "Ranar karshe Pompeii"
- 1831 - JawanAlina Pacini "
- 1832 - "Hoorman"
- 1835 - "Olga Ferzen A kan jaki"
- 1839 - Hoton Basinist Ivan Krylo
- 1840 - Labarin marubuci Alexander Strigovsk
- 1842 - Hoton Larabawa Yulia Samoilova
- 1848 - Hoton Kai