This director is not called productive - in its creative piggy bank a little more than a dozen shot pictures. Of these, in the new millennium - just a couple: those who are dominated by film critics and the jury of all kinds of festivals "French" and "Once there was one woman." But the simple viewer appreciates the cinematographer for those created in 70s, such as the Belorussian station or the "faith and truth". Interesting facts about Andrei Smirnov, who was 80 years old on March 12, 2021, in the material 24cm.
Battle for Urgant
A conversation about curious facts from the life of Andrei Smirnova is wisely starting with an episode relating to the film "Belorussky Station", filmed on the script of Vadim Trunin and without a single battle or cruel scene of one of the best artistic filmmakes dedicated to the Great Patriotic War.
Under the end of the shooting process, when it remained to finish only the scene with a nurse, the bosses threw Andrei Smirnov a new problem. Instead of the already approved Nina Urgant, the acting ensemble inscribed as a front-line nurse in the male acting ensemble, they insistently demanded to take into the picture Inna Makarov - the artist samples made a positive impression on the Ekaterina Furtsev himself, who had occupied the post of Minister of Culture.
Smirnov refused to change the already approved actress on someone else's creature, despite the pressure from above. When, after repeated samples, the Khsovets approved the candidacy of Makarova, Andrei Sergeevich wrote a statement by creating the powers of the director of the tape, and went to the dacha to the comrade in the digestive feelings.
The outcomes of Smirnov turned out to be effective. On the fourth day, the gates of the house, where "Topil in wine" bitter the cinematographer, drove up the car from Mosfilm - to deliver the director to the studio. Rapidly by putting myself in order, Andrei Sergeevich went to finish work, as the leadership still gave good to the participation of Nina Urgant in Ribe.
Debts
At interesting facts about Andrei Smirnov, it is possible to attribute such information: it is hardly half a career cinematographer lived on the verge of poverty - it was necessary to constantly get out.The permanent intervention of censors led to the fact that the proposed projects were not approved, and the shot pictures instead of cinemas went dust on the shelves. Those tapes that were still allowed to show, had to change heavily, distorting the original scenario. As a result, the staged either did not pay at all, or mercilessly cut due to references and delays.
We had to spin on all the frets. Cinematographer learned to write scenarios - according to his works, they set the performances and filmed movies. He taught in theatrical universities and conducted master classes for those who wish to improve the qualifications in the Union and abroad. Lit and the profession of a hyseride - began to play himself, earning already as an actor.
According to Andrei Sergeyevich's personal recognition, to cope with the constant need to live in debt, with the inability to afford neither the car, nor the gift managed only at the time of restructuring. In 1985, when the director had already been 44 years old, it turned out to break the vicious circle of lack of money: the launched two decades were released on the screens, for which the cinematographer finally received money.
In 1988, Smirnova appointed the first secretary of the Union of Cinematographers to the post - ministerial salary, according to celebrity, brought the stability to his life.
Selecting one day from the debt bog, Andrei Sergeevich attached all the forces in order to never return to it anymore. But the memory of hungry and heavy times has retained for a long time, as he is bothering for not allowed to create as he walked like himself, cinema-growing.
Picture of Soviet cinema
In his book, "Lopukhi and Swan", Andrei Smirnov recalled that in the 1960s he was completely not satisfied with the picture characteristic of the Soviet film. The director she seemed overly excessive and lacquered due to excess light.
Himself, then I was going to rent a novel "Angel" for the filmalman "The beginning of the unknown century", more likely there was the natural game of light and shadow, which Jean-Luke of Godar or Ingmar Bergman was achieved in his works.
Knowing that the Soviet black and white film is quite suitable for such experiments with lighting in the frame, Smirnov began searching for a suitable operator. However, when candidates found out that there would be no place on the site of artificial light, they invariably offered to the director to shoot such "hack" himself.
Only the young Pavel Lebeshev agreed, which by the time the only short-drawing, created in the framework of university practice, was agreed. Only began to gain experience, but incredibly ambitious talent for the words of Smirnov on what to shoot will have without light, said: "Yes, even without a film!" Along the way, adding into the phrase, which Andrei Sergeevich then calls the legendary, something short, brightly emotional, but completely unprinting.
Lost Contribution
Another interesting fact about Andrei Smirnov and his work: the picture of the director "Frenchman", represented by the Wide viewer in 2019, could see the light for a couple of years earlier.Unfortunately, the shooting prescribed for May 2016 was broken - in March, the bank, in which the director kept and sponsorship, and accumulated over a few decades of saving their own family, went bankrupt. Elderly cinematographer stayed at all without money. Not that removed - to live was not for what.
It was possible to get out of the situation without excessive losses, the work and children helped. However, the shooting still had to shift - the work on the "French" started only in February 2018.
"Belarusian station"
Andrei Smirnov, after all his life, carried in the soul of sincere hatred of censorship, with which cinematographer had to be repeatedly encountered in his profession. According to the director, all of his creations due to the intervention of the kinquinovnikov were not as conceived.
Thus, the famous "Belorussian station" was originally planned black and white, made in a ascetic manner of a documentary picture. However, three days before the start of the shooting, it was directed from above - tape to do in color. And there was simply no high-quality color film in the Union.
Lost the film and in the plot. For example, according to the director, the "conflict of generations" should have happened in the restaurant where the front-line was forced to joke with the representatives of young people who decided to laugh at former paratroopers.
Armed, but inept young heroes, then they would give up the police. The staff of which the skills of the Potatovka were released, because children of influential persons were found among young people, but they detained veterans. The last of the branch went by themselves, pre-dehydrating representatives of power.
According to the censors, the scene was cut out, replacing a car with a driver who refused to carry the victim's locksmith to the hospital.
Hate to schools
Memories of the director about childhood are not the most rainbow - years before the fourteen Andrey, who suffered by a vice heart and - on his background - physical impact, mercilessly beat classmates and older guys as the weakest. Why schools that smirnov managed to change three times to the seventh grade, they were associated exclusively with trouble. It is not surprising that future cinematographer hated educational institutions with all his heart.Only in high schools, when the father arranged Andrei to the French special school, after moving to Moscow, the situation changed. In a new place, Smirnov felt quite comfortable. And the received skills of owning foreign languages were subsequently useful at the Institute.
About death
Complete the selection of interesting facts about Andrei Smirnov is worth the opinion of the director of death. According to the cinematographer, the thoughts about the inevitable end of his life are visited regularly. And although he himself does not believe in the postility, considering that the life of a person is given only one - earthly, forces himself with the coming to reconcile, no matter how difficult it is to leave relatives. Because it does not want the death of him suddenly, prefers to be morally ready for this event.