Tarihi
A wasan Anton pavlovich "Cherry lambobin" ana daukar shi wani misali na wasu litattafan litattafan litattafai. Halittarta suna tare da juyawa ta wasan kwaikwayo na Rasha da kuma wallan gidan Rashanci. Wannan magana ce mai ban dariya tare da aikin bakin ciki mai ban dariya.Tarihin halitta
Masu sukar Littattafai sun yi imani cewa wasan kwaikwayon na autoographical. An gina makircin ayyukan a kusa da dangin da aka tarwatsa shi, waɗanda aka tilasta su sayar da Generic Estate. Chekhov ya faru ne don shiga cikin irin wannan yanayin, don haka ya san abubuwan da jarumawa. Matsayin kowane hali na kowane hali ya saba da marubucin a matsayin mutumin da ya mamaye bukatar barin asalin gidan. Ruwayar an cika shi da tunanin masanin ilimin halayyar dan adam.
Al'adar da wasan shine cewa an rarraba 'yan wasan ba a kan jaruma masu kyau da mara kyau ba, ba a kan babba da sakandare ba. Waɗannan su ne mutanen da suka gabata, yanzu da na gaba, wanda marubucin marubuci ya danganta daidai da bayanan duniya. Lopakhin wakilin ne na yanzu, kodayake wasu lokuta akwai wani ji da zai iya da'awar matsayin mutumin nan gaba.
Aiki a kan aikin da aka aiwatar daga 1901 zuwa 1903. Chekhov ba shi da lafiya, amma ya kammala wasa, kuma a cikin 1904 an gudanar da karar sanarwa game da sabon makircin na wasan kwaikwayo na Arcow.
"Cherry Orchard"
Biographanci da rabo daga Yermolia Alekseeevich vopakhina yana haɗa shi da rayuwar dangin Ranevskaya. Mahaifin gwarzo ya kasance serfom na mahaifin Ranevskaya da masana'antu da aka yi ciniki. Yarinyar yarinyar ta nuna tausayi ga Yunsha, wanda ya tashi daga mahaifinsa, kuma ya faɗi game da shi, yana tuna cewa tarihin rayuwa a cikin Serfom. Halin Ranevskoy ya yi farin ciki game da ilimin yermola. Ya fi son kwanciyar hankali yarinya, amma ya fahimci cewa an sami tabbataccen tushen bautar. Ko da ma'anar sunan mahaifi da sunan gwarzo ya ce an yi niyya ne don jama'a gaba daya.
Lopahin mai arziki, zama dan kasuwa, kuma ya sami damar juyo da makoma. Ya sanya kansa da kansa kuma in babu ilimin da ya dace, ya shiga mutane fiye da yadda ba ya alfahari da shi. Kodayake an yarda da cewa littattafan gare shi babu fanko, kuma rubutun hannu bai taba samun ra'ayi mai daraja ba. Da farko duk abin da ya samu babban aiki ne mai himma, rayuwarsa ta ƙunshi aiki. Lopakhin yana cikin sauri koyaushe, duba agogon, jiran sabon taro. Zai iya sarrafawa tare da nasa lokacin da kuma kuɗi, sabanin dangin Ranevskaya.
Lopakhin fiye da sau ɗaya ya juya tattaunawa game da lambun ceri, yana ba da taimako. Abu ne mai sauki ka rabu da kudi, yana ba da bashi, amma a batun mallakar gidaje, ɗayan yana haɗuwa da shi: Lopahin Yana son Ranevskaya. Ya zo ga daraja, hadaya don siyan lambu kuma ya mamaye shi a karkashin yankunan ƙasar, kodayake zai iya siyan shi don amfanin kansa.
Lopuhin ya nuna abin mamaki ga tsohon kasuwancin Serfom. Yana da amfani kuma yana ƙididdigated, amma ba ya amfani da kwarewar sa a kan ƙauna. A lokaci guda, wasu haruffa suna ba da halayyar gwarzo, yin imani da cewa Lopahin yana bin yiwuwar ma'amala da riba mai riba ma'amala.
A cikin aikin, ya akai-akai zuwa ga auren da aka sha a kan vare. Yermolai baya auri yarinya ba saboda rashin ingantawa, amma saboda wannan tambayar yankan gonar. Fassarar da kawai ya yi kyau a cikin ango, wanda bikin aure zai iya zama da amfani a matsayin yarjejeniya. Maganganun da ba su da hankali tsakanin jarumai sun bayyana a sarari cewa babu fahimtar juna a tsakaninsu. Soyayya don Ranevskaya, dumi a cikin zuciyar ruwan wukake, baya barin shi ya yi tunani game da sauran mata. Jarumi ya ba da shawarar da kuma neman ƙaunataccen.
A cikin wasa kowane gwarzo, wani abu ya rasa tare da "Lambuna ceri". Lopakhin ya rasa imani cikin kauna, wanda ya san cewa siffar mai sauƙaƙe ya dogara da shi koyaushe a cikin tsinkaye runevskaya. Bayan ya sayi renevskaya, wakilin makomar, mai mallakar ƙasa, inda danginsa ke hidimar, yana gudana zuwa cikin euphoria. Amma, tanada lambu, bai ci cikar cikar Mafarkin ba, wanda ba shi da wuri. Ranevskaya ya bar Rasha, barin a Paris, kuma lophin ya kasance shi kadai tare da mallaki inda ƙuruciyanta suka wuce.
A wasan karshe na wasan ermallai alekseeevich yayi magana game da rayuwa mai ban mamaki. A gare shi, gaskiyar cewa duk abin da ya nemi ya zama fanko. Ya fahimci mutane nawa ne mutane a cikin kasarsa suke da ma'ana kuma ba su fahimci abin da ya sa suke zaune ba.
Halin marubucin ga ruwan wukake ba shi da kyau kamar yadda sauran haruffa suke wasa. Chekhov ya yarda da wukake "ba a jera" kuma ya tabbatar da gwarzon rashin ilimi da ilimi ba. Abubuwa da yawa na ruwan harkar sun nuna cewa, duk da riƙe kasuwancin, mutum bashi da sauƙi mai sauƙi. Ya makara ga jirgin zai sadu da Ranevskaya. So don taimaka mata saboda matsala, ya sayi lambun. An yanke shawarar kiran tafasa kuma nan da nan manta game da shi.
Hoton albarkar yana da matukar dacewa a cikin 'yan shekarun nan. Wannan "gwarzo ne na zamaninmu," yana gina kasuwanci, amma rai mai tsoka. Mutumin da ya gagara da tsinkaye da tunani game da halayensa na kayan aikinta. Ermolami lopakhin gabatar da bayanin czech antiports. Wani marubuci mai zurfi wanda yake cike da ma'anar falsafa da kuma rashin fahimta, aya daidai da ɗan Serfs ne wanda ya ƙwanƙwasa cikin mutane.
Garkuwa
Hotunan fim na farko da aka yi Chekhov na Rasha a Japan a 1936 ta Darakta Moorot Makoto. An inganta jarumai a karkashin hotunan Jafananci na yanzu. A shekara ta 1959, Daraktan Petri ta cire fim din "lambun ceri", wanda rawar da lopakhina ta cika Martin Tithe. A cikin tsarin yana zalunci, 1973, hoton wani vestovent ba ya nan, kuma a cikin fim din Socialpming na 1976, Yuri Cayurov ya bayyana a matsayin dan kasuwa sai.
Richard Eid a cikin 1981 ya yi fim a cikin rawar lopakhina ya buga lambar Igor Paterson, kuma a hoton Soviet IlyinsinsinsinsinsinsinsinsinsinsinsinsinsinsinsinsinsinsinsinsinsinsinsinsinsinsinSky. Anna Chernakova, wanda ya cire fim din "ceri na" Bayan shekara 10, an gayyace shi zuwa aikin lopakhina Alexander Fekliceov. Hoton dan kasuwa a cikin gidan talabijin na talabijin Sergey Ovcharova ne a shekara ta 2008 ya tafi Roman Agea. Vladimir VysStsky ya zama sanannen mai yin aiki na wannan rawar gaba akan yanayin tunani.
Faɗa
Lopakhina tana nuna gaskiyar cewa bai manta wurin sa ba. Kamar kowane mutum wanda bai taba ganin rayuwa mai wadata ba, yana alfahari da abin da ya sami damar cimma ba tare da kariya da taimako ba. A gare shi, babban bayyanar nasara ne amfanin fa'idodi.
Ubana, ko da yake, mutum ne, a nan cikin farin riguna, takalmin rawaya. "
Jarumin ya fahimci yadda mahimmanci a halin da ke ciki halin yanzu zai zama ilimi da bai samu ba. Ya kuma ji cewa ya ba da ikon fahimtar duniya, wanda ya nemi ya samu, inda yake so a karɓi shi don "" "shi."
"Mahaifina mutum ne, wawa, ban fahimci komai ba, ban koya mani ba, sai dai kawai leken asiri, da kuma dukkan sanda. Ainihin, kuma ni ne yaro ɗaya kuma wawa. Babu wani abu da aka yi nazari, rubutun hannu ba shi da kyau, na yi rubutu don haka daga mutane masu concientoous kamar alade. "Babban nasarar da lopakhina shine cewa yakan kula da fahimta: rayuwar da yake nema - niccelene. Kuɗi ba ya kawo shi daɗi. Samun lambun ceri yana ba da fahimta cewa mafarkinsa ya zama fanko, nishaɗi daga ayyukansu na shakku. Aikin ya zama na gwarzo babban rayuwa bashi:
"Lokacin da nake aiki na dogon lokaci, ba tare da gaji ba, sannan a yi tunani a sauƙaƙe, kuma da alama na san abin da na wanzu. Kuma nawa, ɗan'uwa, a Rasha, mutanen da suke kasancewa ba a sani ba game da abin da. "