George marriage - Photo, biography, personal life, cause of death, paintings

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Biography

French artist Georges Marriage tried a number of fine styles and stopped at such as impressionism and cubism. He created excellent sculptures, church stained glass windows and theatrical scenery, but the main place in his work was occupied by engraving and painting.

Childhood and youth

Georges marriage was born in France on August 31, 1882 in the family of painters and artisans from the provincial town of Arzhante. Father, mother and old grandfather took care of the upbringing of a boy, who since childhood showed abilities not characteristic of children.

In 1890, when it was time to learn, the parents decided to move to the large settlement of Havr. Georges entered the school of decorators, where famous painters were taught, and in the evenings went to the sea and listened to the sound of violins and Litavr.

Enchanted by people and atmosphere, he took music lessons, not yet suspecting that he would become the author of great paintings. The idea of ​​tie the biography with painting came while studying in Paris, where the young man was in the society of passionate and progressive men.

After graduating from the Academy of Fernan Ubera, Georges settled on Montmartre and made friends with Francis Picabia, who became famous as an avant-garde. With his filing there was an acquaintance with the works of impressionists, among whom were Andre Derena, Raul Dufi and Henri Matisse.

Personal life

In the youth, the marriage, concerned about the career, did not think about his personal life, although he supported romantic relations with the Paris artist Marie Loransen. His wife appeared a little later, and the couple traveled together to the world, rejoicing his life. Judging by the photo, Georges was a beautiful man.

Painting

Early impressionist works did not receive wide recognition, and marriage with the filing of painters began to create in the style of Fovisism. In 1907, the paintings were put in the cabin independent, and positive feedback from friends and critics were instilled optimism in the artist.

The Parisian Friends of the Young Man, who performed clean colors perfectly in a new way, joined the same flow. The main on the canvases of the walkers was the contouring of objects and stains, due to which the density was created and the beauty was emphasized.

True, after a retrospective showing of the deceased field, the painters of the new generation decided to convert their own style. The marriage began to use geometric forms in still lifes and landscapes, and his favorite hints were protected and vanilla.

At the end of the 1900s, under the influence of Pablo Picasso, the artist began to create pictures described as a protocism. Well acquaintances of everyday items were transformed into animated visions and in bizarrely altered form gained a new life.

Later, the marriage experimented with collages and became the founder of the new technology, which later received the name "Claimed Paper", or Papaier Colle. With its help, the master depicted a bottle, a plate and newspaper, but, unlike painting and graphics, it did not like the public.

In the 1910s, closely cooperating with Picasso, Georges wrote several portraits of contemporaries and ladies. Strange cubes and rhombus, shaded by coal contours, seemed to lie part of the body on the unusual places.

Despite such a first impression, cubism quickly spread and became the most popular style by the mid-1910s. Unfortunately, the career of marriage was interrupted due to the global armed conflict, and it was worth a great job after the battles to return to the easel.

The flourishing of the works of the French avant-gardeist fell on the post-war time and was marked by the appearance of the most prominent work. These were the "blue aquarium", "lemon" and "boat at the shore", as well as the "salon", "Woman at the Mirror" and "Brown Still Life".

In the last years of life, the painter continued to experiment with genres and made stained glass windows for the church and scenery for scenes. In 1934, a monograph was published, which was written and edited by German Prose Karl Einstein.

In 1948, having visited in different countries of the world, Georges participated in the Venetian Biennale and received the Grand Prix. Then the artist became interested in sculpture and presented work at the personal exhibitions, which were held in London, Rome, Tokyo and Cincinnati.

Death

Marriage was not August 31, 1963, the causes of death were not disclosed at the request of friends and his wife. After speech at the grave in the cemetery in the suburb of Paris, an exhibition of early artists was held, and the audience was delighted.

In 2010, Kubist's canvas stored in France was stolen from the Museum of Contemporary Art with a number of other paintings. The investigation showed that the thief acted alone, most likely, this crime was custom.

Paintings

  • 1907 - "Sea Weather in Bay"
  • 1908 - "House in the Estak"
  • 1909 - "Guitar and a dish with fruit"
  • 1911 - "Man with a guitar"
  • 1914 - "Glass Countess and Newspaper"
  • 1929 - "Lemons"
  • 1932 - "Brown Still Life"
  • 1937 - "Double Figure"
  • 1942 - "Red Pedestal"
  • 1945 - "Woman at the Mirror"
  • 1958 - "Amarallis"
  • 1959 - "Sunday of Birds"
  • 1961 - "Bike"

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