Biography
Kinokarttina "One hundred days after childhood" brought young executives of the main roles not only recognition of the public and critics, but also helped to arrange a personal life. The cooperation of the director Sergei Solovyov with Tatiana Drubich turned into a 6-year marriage, and Irina Malyshev tied relations with the screenwriter Alexander Alexandrov. Although at first the young actress was even afraid to look towards this "bald bearded man."Childhood and youth
In the middle of the last winter month of 1961, in the Moscow intelligent family, replenishment happened - the daughter of Ira appeared. Father held the professorial post of the famous Design Bureau "Tupolev", and his obligations included the creation of aircraft. Mom, who graduated from the famous "Gnesinka," solired in Sokolovsky Choir and managed to convey Chad to the classical musical art.
At an early age, Irina coped with enviable ease of ease with serious arias, showed good creative abilities, cherished the dream to become famous pop artist. However, the head of the child's hobby family did not share. And, having decided to protect against the frivolous, in his opinion, classes, identified a special school with a bias towards English and natural sciences.
However, in the elite educational institution of relationship with classmates, they did not arise in mind the so-called financial abyss. Malyshev, that and the case was injured.
"The boys and girls Majers brought to the school of chewing, foreign handles, demonstrated to each other imported clothes brought by their parents from abroad, and I didn't have such luxury and in mom, I could not let the party with friends at home ". Therefore, I was treated with the Barqual Suggestion, "Irina Valentinovna told.However, everything changed when the teenager turned 13 years old. Seeing at the special stand "Mosfilm" An announcement of the urgent search of the applicant on a female role in the film, Irina, without hesitation, rushed to the sample. It would seem natural impactivity and modesty could prevent a favorable solution, but it was precisely such a girl and was required to director.
After the school was recognized about the Malyshev's debut in cinema, the position of a beginner actress was at all the deplorable. She was jerking at the slightest provinces, gloatingly grinning that you need to do really important things, and did not even take in Komsomol.
Ira attacks did not stand and talked about his mistresses of the mother. The woman translated the daughter to the school of working youth, among which were children Mikhail Ulyanov, Vasily Aksenov and the Seeds of Lungin. Teachers to the "work" of the wards treated with understanding.
Theaters and films
Remembering Casting, Malysheva reported that the director himself was selected. He immediately liked her - a small, round, like a kolobok, and terribly good-natured Solovyov could breathe life even in the most indecisive beginner actor. Follow the behavior of young giving two educators, but those still "missed" at least two star novels.
Although at first the scenario of "hundred days after childhood" Irina hated. It was at the direction of this "uncle" she was given two terrible tails and dressed in a terrible dress, which ink in the protest was invariably poured and which was bothering. To the shooting scene with dancing girl decided on the transformation - fashionable hairstyle, light makeup and beautiful lace outfit. Despite the fact that in this form Alexandrov banned to appear in the frame, friendship supported between them, supported by correspondence.
After the premiere of Malyshev woke up by the famous, proposals were relealed on her cooperation. And Irina, struggling with the youth complexes, chose the role of privileged specimen - princesses ("Princess on the pea"), princesses ("Golden buckles"), Princess ("Bagration"), Queens (Boris Godunov).
On the last period, the girl became a student's famous "Pike", and she was lucky to listen to the lectures of the students of Evgenia Vakhtangov himself. As the actress was recognized later, she adored and did it "Vochleb", for which he became repeatedly Lenin scholarship. In the creative biography of Irina, two temples Melpomen were faced - the dramatic name of Pushkin and the Theater of the Moon.
Over time, the filmography has increased in geometric progression, and work "Let's talk, brother ...", "I will never forget you," there was a three-son's father, "dead souls", "special case" and now happy to be revised by the audience.
Personal life
Epistolar affair with a senior counterpart at the premiere film resulted in real. The girl at the time ended the school, and Alexander Leonardovich as he could have failed the subject of his rehabilitation. According to Irina, it was she who insisted at the transition of their relationship from Platonic to more intimate. Soon the couple began to live together, but the happy joint existence did not happen.
"It was difficult years, our family resembled the pendulum: I left, I returned - Sasha drank, and I, a young girl, was difficult to withstand his rods, but I went to leave the forces not enough for my strength, after all, he was first of all friend. In the end, we broke up, and I don't know anything about him, "Irina Valentinovna added.
On the 1st year of the Schukinsky school, during the next quarrel with the beloved, Malyshev invited to remove the elements of Klimov in the "Go and see" (the working name "kill Hitler"). And soon they began to meet not only at rehearsals and runs, despite the married position of the director.
"I was so in love that I did not think about anything. I loved him so much that I wanted him only happiness, even with another woman. And he received such pleasure from our short meetings, which flew to him like on wings. I was satisfied with my unenviable secret role, I did not claim anything more. "So told the actress in a large interview with "Caravan Story", providing photos from a personal archive.
The relationship between them was cut off immediately after the death of the Legal Spouse Klimov, who switched to a young passion. Then, a lot of representatives of the opposite sex worked for Irina, but she met her sole husband at that moment when it was already desperate to find real love.
Irina Malysheva now
In the 90s, Malyshev left the scene and retrained to the realtor specializing in the country elite real estate. Although, as a woman confessed later, she could find himself in any business.
And shooting and theater turned into a hobby - by 2019 the last filmmaker was the episode in the "Device Hunt" of 2011.
Filmography
- 1975 - "One hundred days after childhood"
- 1977 - "Princess on the pea"
- 1978 - "Talk, brother ..."
- 1981 - "Horseman on the Golden Kone"
- 1981 - "Father's three sons" had "
- 1983 - "I will never forget you"
- 1984 - "Dead Souls"
- 1985 - "Bagration"
- 1987 - "Boris Godunov"
- 1987 - "Silver strings"
- 1991 - "Charming Aliens"
- 1996 - "Marquis de Sad"
- 2005 - "I will not come back"
- 2006 - "Ivan Pushkin. Gentleman of the Sud - 1 "
- 2011 - "Maiden Hunting"