Tari
Tsinkaye, samun aiki a cikin ayyuka kafin su hana jituwa da siffofin siffofin siffofin siffofin da launuka Edgar de kya ga duniya a matsayin wakilin annashuwa. Asarar nauyi da alheri, wanda shi ne duniya ta hanyar zane, a zahiri ba shi yiwuwa a yanke hukunci a cikin tsarin hanya ɗaya.Yaro da matasa
An haifi mai zane na gaba a ranar 19 ga Yuli, 1834 a cikin dangin babban banki mai nasara. Uba Ogosso De Ga shi shi ne mai tsara gidan kasuwancin Nepolitan. Mahaifiyar Selesta ta kasance 'yar dillalin Biller na Cudu.
Shugaban dangi ya ƙunshi matarsa da yara, da kuma Celessta, a matsayin mai tsaron gida mai da hankali, ya tallafa da oda a gidan. Uwa ta mutu ba zato ba tsammani lokacin da yaron ba ya shekara 13.
Edgar Ros zuwa yaro: ya zama mai sha'awar Latin da tarihi. Bayan kammala karatunsa daga Ludwig mai girma Lyceum a shekara ta 1852, saurayin ya shiga Jami'ar Paris a cikin ikon doka. Ko ta yaya, saurayin ya fahimci cewa helieversungiyoyin ba shi bane.
Augusteo yana son ɗan namiji ya sami ilimi ya tafi wajen sakin nasa ya gada da kasuwancin iyali gaba. Bayan da tunatarwa game da niyyar da aka yi wajan barin jami'a, ya yanke shawarar kada a sayewa ne ga dansa, ya kawo zabi Edgar.
Bayan ya karbi albarkar Uban, a cikin 1855 The saurayin ya shiga makarantar 'yan fashi da ke da alheri, inda mai bada mashahurin LAMMOT yake sanya saurayi ya jagoranci kungiyar shugaban kasar Tarayyar Turai Zh.D. Engra.
Edgar ya yi sa'a da za a haife shi a cikin dangin Aristocrats. Mutumin bai taɓa samun matsaloli da ke da alaƙa da rashin kuɗi ba. Yayin da sauran masu fasahar novice suka yi fama da yunwa, saurayin a cikin 1856 ya yanke shawarar barin karatun su da ganye na shekaru 2 zuwa Spain.
A can, wani saurayi yana karatun manyan cibiyoyin al'adu na ƙasar - Florence, Naples, Rome, ana yi wahayi zuwa ga zane-zanen Masters na Renaissance.
Matashin ya rufe da saurayi a cikin komawa zuwa Paris yana buɗe bitar, ƙirƙirar da yawa yana aiki akan labarun tarihi.
Edgary ƙaurarru ya ƙi yarda don magance rayuwar tsoho, nuna wanda zai iya a cikin fassarar zamani. Duk da ƙoƙarin Titanoc da babban sha'awar aikinta, a cikin tsarin aikinta, sun haɗa da tsufa da amincin da bai fito ba.
Kimantawa kan Edward Manne, wanda ya faru a shekara ta 1862, ya zama mai yawan gaske ga kansa. Mawallen ya zama mai yawan masarar cafe "Gerua". A nan, masu nuna ra'ayin mazan jiya sun tattauna manufofin sabbin dabaru a zanen da nasu hangen nesa na gaskiya.
A karkashin tasirin wadannan mutanen a karshen 1860, an kirkiro jerin manyan ayyuka - "Brattka", "Racing" da "Modlet. Babban aikin mai zane shine don nuna duniyar da ke cikin gwarzo, a cikin kallo, a cikin motsi, a juyar da kai zuwa cikakkiyar mutum zai iya bayyana mutumin. The DigI ya banbanta da mazauna, ya fahimce duniyar da ke kewaye da shi kamar wani abu mai tsauri na kasancewa, ba ƙoƙarin yin wahayi zuwa saukad da saukad da saukarwa. Kyakkyawan Edgar Edgar ya gani a cikin rayuwar cruster da metrovolis. Ƙwaƙwalwar daukar hoto ya taimaka wa mafi ƙarancin fasali na Paris.
A nan gaba, waɗannan abubuwan tunawa sun taimaka don canja wurin rayuwar rayuwar birnin birni, ƙirƙirar mahimman hotunan mutane, wurare da abubuwan da suka faru.
Jin daɗin duniya ya yarda Edgar ya ci gaba da neman na har abada ga kansa. Mai zanen ya keta zane-zane, an gwada shi da haske, siffar, ba'a yi ba'a sama da abun da ke ciki ba - gabaɗaya, ya yiwu duk hangen ne cewa sabon hangen ne ya sa sabon wahayin ya sa sabon wahayi ya haifar da tasirin da sabon hangen nesa.
Sakamakon aikin kwarjini, mahalicci ya sami nasarar cimma ainihin mai amfani da tsarin tsarin, wanda babu komai fiye da komai. Dukkanin abubuwan sun jaddada ma'anar makircin.
Zane
BALLE ya kasance taken da aka fi so na Jagora na Tarihi. Shahararren yanayin fadace, wanda aka kama Deku, yana da sauƙin bayani: Mai fasaha yana nuna duniyar alherin da aka yi, ba tare da kunna zane-zanen mara nauyi ba.
Batun ballet ya bayyana a cikin aikin masu fasaha da yawa. Don rubuta zane-zane, komai kamar yadda mutum yayi amfani da sabis na manyan simulators. Wasan baƙar fata kuma aka zaɓa musamman don hoton hoto - an hana mu damisa daga cikin lilin na rai. Farkon ya fara nuna aikin ma'aikatan da ke faruwa ba tare da kafa ba.
Zanen "Blue Yan rawa" da ƙaunataccen Pastel ɗan wasa. Ballerinas hudu a cikin fakitin launin shuɗi a cikin jira na wutan zuwa wurin ba su samu kansu ba. Kowace rana suna wasa da Matsala da damuwa kowace rana, kamar yadda kafin a fara. Kallonsu, mai kallo wanda ba shi da mahimmanci a cikin helongs, suna jin guda ɗaya. Da asymmetry na abun da ke ciki da gefuna gefuna yayi magana game da tsananin ɗan wasan kwaikwayo na daukar hoto
Baya ga ballet, mai zane ya kasance mai son dawakai ne. Waɗannan dabbobin masu falala sun yi nasara da ƙaunar Mahalicci lokacin da yake cikin Italiya. Degas ya zama mai son Racan Rekan Rekan. Mawallafin yana jawo hankalin filayen dawakai na halitta, kuma ƙwararrun ƙwararrun mahimman mahaya sun kira cikin fararen zane na kwararru.
Hoto na farko na "tsalle" na "tsalle" wanda ya bayyana a cikin 1860 kuma ana kiranta "ladabi a tsalle-tsalle: kafin farawa". Wannan zane shine kwafin salon da halayen zane-zane.
Fuzzy, baƙi resorers sun rasa a bangon shimfidar wuri. Sake rubuta wannan aikin bayan shekara 20. A cikin marigayi sigar, tsaunuka marasa iyaka da masana'antu sun zama tushen.
Aikin Edgar «Absinthe", na da matsalar shan giya, cikakken yana nuna kyawawan dabi'u na Paris Bamemiya na lokacin. Jin daɗin kadaici ne mafi alh tori don fuskantar tare. Asarar bege - wannan shine abin da ya haɗa waɗannan ƙananan kuma a lokaci guda ke rufe mutane. Dandanan launi mai launi mai launi yana karfafa ji game da rashin lafiyar da nasu.
Theara gaskiyar mai zane ba sa so, samar da mai kallo tare da damar da za a ga hakikanin da suka kewaye shi.
Ofaya daga cikin mahimman ayyukan na ƙarni na 19 shine "filin yarda". A wani lokaci, maigidan bashi da kuɗi ya rage kuma dole ne ya dauki aikin kowane shiri. An tilasta wa Jagora ya nuna dangin Viscont, sannan ku sayar masa da mayafi. Ya taimaka wa mai zane don taimakawa wajen samar da kudin da ya cancanta don rayuwa. A cikin dukiya L. Lepika zanen yana da tsawo. Ba abin da aka sani game da makomarta har sai farkon karni na 20.
Bayan haka, an gano "square na Concord" a cikin taron shahararren mai shi Phatular P. Durana-Rueel. Koyaya, ƙananan ɓangaren aikin an yanke shi. Wannan ita ce wacce ke kunshe da tsarin rubutu. Rashin sa hannu yana rikitar da ma'anar marubucin. Bayan ƙoƙari mai tsawo mai tsayi, a ƙarshe ƙirar da aka samu a ƙarshe Jamusanci O. Gershendberg.
An gurfanar da makircin aiki. Duk da kwantar da hankalin mai kwantar da kayan kwalliya da kuma sanyaya layin, tunanin bai yi ƙarya a farfajiya ba. Yara da manya suna kallon fuskoki daban-daban a wannan hoton. Akwai rikici na har abada na ubannin da yara. Bambancin da aka nuna a cikin ra'ayoyi da kuma bayanan duniya, kamar dai a cikin izgili, ana kiranta "Dandalin yarda".
Doka ya san yadda ake mamakin mai kallo, yana tilasta gwarzon da aka nuna a kan zane. "Brarlsman" bai togon ba. Ma'aikaci tare da kwalban giya ya gaji da rashin wahala da monotony, ya zama alama ta tsutsa na farkon ƙarni na ashirin.
Nan kusa da mace ta biyu nan take buguwa nan da nan. Ba ta farka - ta mirgine. Ba ta da ƙarfi, babu muradin ko da ɗaga kansa. Bayan haka, har yanzu ana yanke ƙauna iri ɗaya da tara na lilin. Maestro Tarihi yana ba mutane damar ganin Paris a ƙarƙashin kusurwa ta daban.
"Littafin" suna da wahala. Mai girma mai girma tare da jin daɗin zurfin ɗan adam ya kasance ga wani aiki mai zurfi.
A cikin zanen "aji Dance" na Degius Allenally ya haɗu da ingantaccen zane tare da zane. Mawaki ta mayar da hankali kan maganganun masu rawa. Hoton yana ba da yanayi na jira mai ban sha'awa. Ga ɗalibin, wannan jira ne mai kyau, gama tsofaffi Balletmaster - palet ɗin sabbin dabaru. Amma a cikin balerinas da aka haifa babu lokacin tunani mai zurfi - suna zaune rawa, kuma na biyu kamar mutuwa. Tsarin launi na launi yana ba da zane na ilimin ilimi, amma ƙarfin motsi na rashin kulawa a sararin samaniya ya dawo da kallo ga duniyar gaske.
Rayuwar sirri
Mutanen da ba su san tarihin rayuwar Degas suna da alaƙa da kansa ba, la'akari da cewa Edgar ba a rataye shi da ƙaunar ƙauna tare da simulari. A kan ganyayyaki na launuka sau da yawa ya bayyana hotunan tsirara mata, amma dogara da abin da aka fi sani cewa Madre ba shi da kusanci da ɗaya daga cikin kiɗan.
Amateur na hular ido-ido tare da idanu suna nuna bakin ciki na duniya, sun fi son yin girman kai ga kamfanonin marasa amfani. Ba kamar artistan da ba a so ba a canza shi ba ya ƙara hankali ga mutuminsa.
Saboda irin wannan rayuwar rayuwar da aka dakatar da halaye, abokai da na kasa suna kira shi "beyar karya."
Kasancewa mutum mai ƙauna mai ƙauna, mai zanen ya ba da mummunar kula da Cibiyar Aure. A cewar masu biraphers, da Melancanchicall ta kammala kammala aiki ba ta buƙatar kusanci na zahiri. Mai sculptor yana ƙaunar idanunsa kuma ya ji daɗin tunanin jikin mace.
Azaba kan nuna zanen suzanna Valadon SUZANNA Valadon ya ayyana: Kowace saduwa ta bayyanar ta, amma tuntuɓar jiki ba zai yiwu ba. Ba a yarda da matar don ƙauna ba, amma don wahayi. Da sha'awa shine kawai na ruhaniya.
Abin lura ne cewa ko da bayan buga jerin "al'amuran" wuraren aiki a cikin rufe gidaje ", wadanda suka sadaukar da su da sauƙin shiga Matra.
Daidai ne na rashin yarda da ruhu na Mahaliccin shine kadaici. Kuma Ya zãɓe shi a matsayin taurãciyar taurãron mai aminci.
Mutuwa
Asttally baƙin ciki shine farkon shekarun rayuwar mutas. Wurin genius, ba zai yi sha'awar ba da titunan Paris, ya tuna da matsalar rashin damuwa. Ya kasance mai rauni mai rauni daga gaskiyar cewa bai sake samun damar yin tunani da rayuwa ba, motsi wanda ya sanya gogewar sihirin sa.
Mai zanen ya mutu a cikin Paris a 26 Satumba, 1917.
A ce da banbanta ga abokinsa ya zo budurwarsa: Claude monet da kuma zane-zane Jean-Lois Fetne.
An san cewa Doki bai jure yanayin ba. Don haka, a rayuwa, ta ce Tasna ta yi makoki da kuma kammala wani sauƙaƙen magana mara kyau:
"Ya, kazalika da na, sun fi son zana."Aiki
- "Hannun etude" (1860)
- "Fara farauta" (1863-1865)
- "Mahayan a kan hanya" (1864-1868)
- A ciki (tashin hankali) (1868-1869)
- "Coast a Ebbe" (1869-1870)
- "Aji aji" (1871-1874)
- "Yarjejeniyar Jami'a" (1875)
- "A Cafe" (ABINTHE) (1876)
- "Mace a bayan bayan gida" (1876-1877)
- "Diego Martley" (1879)
- "Opera lodge" (1880)
- "Fuskokin masu laifi" (1881)
- "Brandilsman" (1884)
- "A cikin Dance Studio" (1897)
- "Blue Dancers" (1899)
- "Ballerinas a bayan al'amuran" (1900)