Tari
A cikin 1874, taron da ya bude sabon lokacin zanen ya faru ne a Paris. Wani rukuni na masu fasahar masu tsattsauran ra'ayi, gaji da rikicin da ke mulkin waje na kasashen Faransa na Art Art, ya nuna aikinta a nune mai zaman kanta. Bayan haka, tare da masu zanen ta hanyar Claude Monet da Edgar Kedas, zane-zane sun sanya zane-zane na mutum na Atuger na Renoir.Yaro da matasa
Pierre Alauste Renoir an haife shi ne a ranar 25 ga Fabrairu, 1841. Kocinsa ya kasance a kudu-yamma da yardar kaina na wasu limogan na limoges. Mai zane ya kasance yaro na shida daga 'ya'ya bakwai na talakawa Leonard da matarsa, Seakstress Margarita. Duk da cewa iyali da aka rage ya ƙare da ƙarshen, iyayen sun kama lokaci da ƙaunar kowane zuriyarsu.
Tunda yaro, Pierre wani yaro ne mai juyayi, amma Leonard da Mar Baridita suna tausayawa yara. Uba ya ce wa ɗanta lokacin da aka ja Hukumarsa tare da alaye da alkalami da ƙirar zango, da mahaifiyar - lokacin da ya fentin bangon gidan. A cikin 1844, Renuaraara ya koma Paris. Anan Auguste ya shiga cikin cocin cocin tare da babban babban birni na Saint-Estash.
Regent chalar Charlesungunungun Gunlesungiyoyin Guno, tunda jin singin Ausuge, ga 'yan makonni sun yi kokarin shawo kan iyayen zanen zane "yarinyar zanen zanen" a makarantar waƙa. Koyaya, a sakamakon, pierrusory duniya na sauti zanen. Leonard ya ba da magaji ga Maza 'Yan uwan Lawia ya tsunduma wajen kera kayayyakin daga cikin salla, lokacin da ya kasance shekara 13. A nan, saurayin ya koyi zana, ado da faranti, tukwane da kuma vases ta hanyar hotunan da suka fito daga ƙarƙashin goga.
A lokacin da cikin 1858, kamfanin ya sami nasara, saurayi da Renoir, ya zana ganuwar cafe, makafi da kuma kayan zane-zane, Jean Onor Fragonar da Francois daji. A cewar masu bi, wannan kwarewar tana haifar da mahimmancin tsarin tsarin.
Ayyukan karni na kasar Xviii ne suka farka a cikin marubucin zanen "Rosa" ƙauna ga launuka masu haske da layin da ba a sani ba. Ba da daɗewa ba AUGUGE ya fahimci cewa burinsa yana tare da wani ɓangare na aikin kwaikwayon aiki. A shekarar 1862, ya shiga makarantar Arts Arts. Mai ba da shawara shine Markus Mark Gabriel Charles Charles Charles Charles, ya bi hanyar samar da zane-zane ta hanyar al'adar ilimi na zane.
A cewar wannan hadisin, an rubuta ayyukan musamman akan masaniyar tarihi, kuma launuka masu duhu kawai sun mamaye palette palete. Irin wannan zane na Salon ya ɗauki nunin hukuma na shekara-shekara, wanda ya ba da damar bayyana wa kansu bayyana kansu ga masu zane mai farawa. A lokacin horon na RenUUara a makarantar kimiyya, ana kiran juyin mulkin a duniya.
Artists na makarantar zane mai zane suna ƙara nuna a cikin abubuwan da suka yi na rayuwar yau da kullun na rayuwar yau da kullun ta amfani da wasan haske. Hakanan, sanannen gaskiyar Gustsa Kourbe a duk faɗe cewa aikin mai zane shine don nuna gaskiya, kuma ba a tabbatar da al'amuran ilimi ba. Renoir, da kuma budurwarsa - 'yan uwansu Claude Monet da Alfred Sisley, san game da wahayi na juyin juya hali suna yin sarauta a cikin iska.
Da zarar Comramades don tsara matsayin su, a azuzuwan, ba tare da izinin Gleira ba, sai suka fita sun fara kafa wani iska da suka kewaye su da su. Da farko dai, masu fasahar Novice sun zo ga gandun daji na Fontainblea. Wannan wurin na shekaru 20 da aka yiwa kwastomomi ne don rubuta manyan motoci. Akwai Renoir ya sadu da Zhake Gustaven Kurba, wanda yake gani a hoton 1866 "Kharchevny mahaifiyar antoni". Canvas yana nuna ba a inganta ba, yanayin yau da kullun na rayuwa ya zama alama ce ta Atuste daga al'adar ilimi na zane.
Zane
Muriyar kirkirar tazo zuwa mazauna juna a lokaci guda - tare da farko na 70s, wanda aka sanya farkon mafi kyawun shekaru goma a cikin fasaha.Mafi yawan 'ya'yan itashe waɗannan shekarun suna cikin tsarin fasaha na Renuara: "Tarihin Iyali", "tsirara a cikin hasken rana", "a cikin mahayan mata", "babban mayaudara "" Tafiya "," Budga "," Beting in Le Moulin de la Gette "," Maddare na Zhan Sari "," Maddare "," Ubbellas "," a kan Terrace "," manyan karin ruwa "," manyan karin kumallo "," manyan karin kumallo "ba cikakkiyar jerin abubuwan da aka kirkira ta Apuge a wannan lokacin ba.
Yana da ban sha'awa ba kawai da yawa ba, har ma da irin wannan mai ban mamaki na aiki. Anan ga shimfidar wurare, har yanzu yana zaune, kuma tsirara dabi'ar, da kuma hotunan hoto, da hotunan gida. Yana da wuya kowane daga cikinsu ya ba da fifiko. Don Renuara, duk hanyoyin haɗin sarkar guda ɗaya ne, wanda ke gudana na rayuwa, kwararar rayuwa.
Riga, kwata-kwata ba tare da sanya hannu a kan gaskiya ba, tare da sauƙi mai ban mamaki, ya juya bawa da ba mai ban mamaki ba a cikin allahn na dinari. Wannan ingancin yana nuna kanta a cikin aikin Renoara kusan daga farkon matakan sa a cikin fasaha, kamar yadda Shaidan ya tabbatar da shi "bene" (sunan na biyu - "yin iyo akan Seine").
Shirye-shiryenta ya yi hutawa mai rai a bankunan kogin na kogin, da fara'a na rana, azurfa na ruwa da iska mai shuɗi. Babban mai sheki na waje bai shiga cikin Renoara ba. Ya so ya zama bashi da kyau, amma na halitta. Don cimma wannan, mahalicci ya yi watsi da fassarar gargajiya na abun da ke ciki, yana ba da aiki wani hoton da aka ɗauki hoto.
A cikin 80s, Renoire yana aiki tare da buƙata ta musamman. Pierre ya rubuta hotuna don masu kudi da masu cinikin masu arziki. An nuna zane a Landan, Brussels, da kuma a nune-nunun na duniya na bakwai a Paris.
Rayuwar sirri
Sunayen suna ƙaunar mata, kuma sun amsa masa da daidaituwa. Idan muka jera masu zane mai suna, suna ba da taƙaitaccen takardar shaidar asalin kowane, Jerin zai zama mai nauyi girma. A cikin simulators da suka yi aiki tare da mai zane da aka buga cewa Auguste ba sa aure. Shahararren gidan waya mai hoto, actress Zhan Sami, ya ce hakan ya ce ta taɓawa ga mayafin da ya rubuta.
Gabatar da ɗaukaka kamar yadda mai son shiga, Renoir a cikin tsakiyar shekarun 1890s ya shiga cikin sabon matakin rayuwarsa. Tsawon tsayawa na Augusta na Augusta - Lisa Treo ya yi aure ya bar mai zane. Pierto ya fara ba da sha'awa a hankali a cikin ra'ayi, ya dawo cikin aiki ga litattafan litattafan. A wannan lokacin ne marubucin zanen "Dances" ya sadu da Matasan Babin Sharigo, wanda daga baya matarsa ta kasance.
Pierre ya sadu da matar matar nan ta gaba a cikin M madame Kamil. Duk da bambanci a cikin shekaru (Sharigo shi ne ƙaramin miji tsawon shekaru 20), sha'awar kowannensu ya zama dole a lura da juna Renhuara da Alina. Wata budurwa mai kyau, a cewar mai zane, "Weold".
Ta so koyaushe bugun bugun baya kamar kyan gani. A cikin zanen, yarinyar ba ta fahimta ba, amma tana kallon yadda Pierre Whaluging, ya sami jin daɗin rayuwa mai ban sha'awa na rayuwa. Alina, wacce ta san da yawa kuma a cikin kyawawan dafa abinci, kuma cikin laifi mai kyau, ya zama mace mai ban mamaki ga mai zane (kodayake shekaru biyar, bayan haihuwar ɗan Jean).
Ba ta taɓa yin ƙoƙarin kawar da kansa ga mijinta ba, sun fi son bayyana halinsa da ƙaunataccen da abokansa ta hanyar dafaffen abinci. An san cewa lokacin da masoya suka rayu a kan montminre, gidan Renoara, tare da iyakance kudade, ji mafi yawan kuɗi, ji mafi yawan kuɗi, ya ji mafi yawan kuɗi, ya ji mafi yawan kuɗi, ya ji mafi yawan tara. Ba a kula da baƙi tare da naman da aka dafa abinci tare da kayan lambu.
Bayan ya zama mai zane, Alina ya sami damar sauƙaƙe rayuwarsa, yana fannin Mahaliccin daga duk abin da zai hana aikinsa. Sharigo da sauri ya sami girmamawa ga kowa. Hatta Monaster na Degas, yana ganin ta sau ɗaya a cikin nunin, in ji Alina kamar sarauniya ce da ta ziyarci ƙwanƙwaran acrobats. An san cewa, ana auri Sharigo, marubucin "'yan'uwa mata' 'yan wasa sau da yawa sun shiga cikin kusanci tare da simulators.
Gaskiya ne, duk waɗannan abubuwan da aka shigar da soyayya da soyayya ba ta yi wa matsayin Madame Renoir ba, domin ita ce mahaifiyar Enerore, uwar garken Sifrude, a cikin gidan House, uwargida a gidansa da wanda ya Bai rabu da wuta ba lokacin da yake rashin lafiya. A cikin 1897, saboda rikice-rikice bayan hadari, lafiyar mai zanen ya lalace sosai. Mawallen ya sha wahala daga rheumatism, amma, har ma an ɗaure shi a cikin keken hannu, ya ci gaba da ƙirƙirar sabon ƙira.
Jagoran kwararar dan kwallon Henri Matisse, wanda a kai a kai ya ziyarci da shanyayyen jijiyoyin a kai a kai, da zarar rike da kansa, wanda aka yi la'akari da yiwuwar irin wannan aiki tare. Autuste, bana shakata na biyu, ba na amsa aboki cewa zafin da yake fuskanta zai wuce.
Mutuwa
A cikin 'yan shekarun nan, wannan batutuwan sun bambanta da ayyukan RenUara: masu yin iyohi, oodstists, oodalists, almara na yara. Ga mai zane, waɗannan hotunan suna da keɓaɓɓen alama ce ta matasa, kyakkyawa da lafiya. A kudu rana ta Proce, kyakkyawar ta mace, a cikinsu kyakkyawa na farin ciki na marubucin - an kuma duba ni da farin ciki "abin farin ciki" na kasancewa, abin da ya sadaukar da shi.Yaƙin Duniya na farko ya fasa tafarkin da aka saba. Don haka, daga abubuwan da suka faru game da abubuwan da suka shiga gaba, sai Matar mai zane ta Alina kwatsam. Tunda ya zama bazawara, ta sha azaba da yunwa, auguguge, ta hanyar halinsa, bai hana fasahar da ke kewaye da ita ba. Lokacin da gaskiyar ba ta sami abinci don kerawa ba, ya tsira da wahayi a cikin simulators kuma a gonar, an tsallake kan gangara na sanyi.
Shahararren mai nuna ra'ayin huhu ya mutu sakamakon huhu a ranar 3 ga Disamba, 1919, yana da lokaci don gama aikinsa na ƙarshe "har yanzu-rai tare da ANemonia". Dan shekaru saba'in mutum kafin lokacin sigh din ya kasance mai matukar sha'awar farin ciki na hasken rana da farin ciki na mutum. Yanzu ayyukan Renoara an yi wa ado da gallery na Turai.
Aiki
- 1869 - "bene"
- 1877 - "Hoton Zhanna Sari"
- 1877 - "Farkon tashi"
- 1876 - "Ball a Moulin de La Gette"
- 1880 - "adadi a cikin lambu"
- 1881 - "Rollan karin kumallo"
- 1883 - "Dance a Bako"
- 1886 - "umbellas"
- 1887 - "manyan iyohi"
- 1889 - "Brattka"
- 1890 - "'yan mata a cikin makiyaya"
- 1905 - "shimfidar wuri kusa da shirin"
- 1911 - "Gabriel da fure"
- 1913 - "Kotun Paris"
- 1918 - "odalisk"